I am a French artist and illustrator based in Le Havre. My work resists any fixed protocol that would stabilize the gesture; instead, I seek out dispositifs that put it into crisis. I am interested in the tension between control and destabilization — in how a simple rule, once activated, can begin to slip, fracture, or exceed itself.

I often rework found images, not to master them, but to expose them to shifts, repetitions, and displacements that unsettle their initial meaning. Accidents are not merely welcomed; they are structural. They interrupt intention and force the work to renegotiate its own conditions.

I am particularly attentive to the moment when an image produces an unexpected emotional spark — a disturbance rather than a confirmation. That spark becomes a lever: a way to test how far the image can move, mutate, or contradict itself.

Across editorial commissions and independent artistic research, I approach each project as a site of instability — a space where images are not stabilized, but stressed, displaced, and transformed.

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Over the years, I’ve collaborated with a range of artists, studios, and publications including Astra House Publishing, Blazers/Blasons, Biceps France, Bliss Point Records, Bráulio Amado, Crack Magazine, Chris Harnan, Decade New York, Drain Publishing, Éditions FP&CF, Éditions Matière, Elliott Elder, Elizabeth Goodspeed, Gaspar Capac, Lagon Revue, Mamiko Motto, Moritz Grünke, Oneohtrix Point Never, Samopal Books, Sylvia Tournerie, Temple Magazine, Tractor Beam, Warp Records, Wired Magazine, ...

Oneothrix Point Never - Tranquilizer


Artworks & custom type for: OPN's 11th studio release
Design & video by: Elliott Elder
Released on: Warp Records
Site: https://pointnever.com/

2 x LP
Pics from: Discogs


Front cover by: Abner Hershberger - Blue Interval